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J-ARTS

Welcome

Posted in Blog by Administrator on August 30th, 2007

Welcome to J-ARTS, the Jewish Artists Regional Touring Service. Our goal is to help arrange contemporary Jewish performances in your community. J-ARTS is a talent broker, not a talent agency; our clients are synagogues, Federations, Hillels, schools, camps and other organizations and institutions.   We have extensive relationships with artists that we can leverage to meet your organization’s needs, and that is our first priority.

As experienced Jewish music presenters, we’re here to serve you with our knowledge and experience. We know what its like to put on these events and can provide practical advice, not a sales pitch. To serve the needs of your organization and tastes of your community, we work with a broad array of artists across a number of genres. We don’t push a specific artist on you; we provide options that can fit your programmatic and budgetary parameters.

To peruse the artists we work with, click on the Musical Acts button to the right and browse our roster by genre. Our aim is to your community stage a great event, be it a concert program, fundraiser, melava malka, Israel celebration, Bar Mitzvah or family Simcha.

Musical Genres

Posted in admin by Administrator on August 16th, 2007

Michael HarPaz

Posted in Israel Related, Rock, Singer/Songwriter by Administrator on August 16th, 2007

Born and raised in Detroit, Michael HarPaz, son of immigrant parents, emigrated to Israel in 1995 with only a few bucks in his pocket, his guitar on his back and high ambitions.

Within a year, he became a founding member of HiFive, the biggest band in Israeli history. As the lead singer in HiFive, Michael spent the next four years performing to sold out arena shows in front of hundreds of thousands of adoring fans. As a cultural icon, Michael was the pulse of everything pop in the country. Setting trends both musically and socially, Michael managed to change Israeli entertainment history forever.

He and his group set the bar against which all other success was measured. With four gold albums to his name and countless other awards and honors, Michaels fame rose to new heights. He could not walk the streets of Tel-Aviv without a steady entourage or bodyguards and security.

Michael’s music took him to New York and word traveled fast. He performed for Mayor Bloomberg at Gracie Mansion and singing on the stage of Town Hall. Michael became part of the songwriting team for producer John Eaton writing for such artists as P. Diddy, Usher, and The Roots. During this time, Michael also flew to LA to write and perform on the best selling CD, MAXAZRIA BCBG Live.

Soon Michael was in the studio with 7 Aurelius (Jennifer Lopez, Ashanti, Ja Rule) and renowned music mogul, Damon Dash, to work on some collaborative projects. While working on a song for Paris Hilton, Michael was asked to come to Israel to help write some songs for Israeli singer Maya Buskila.

In Israel, Michael’s music was overheard by Oscar nominated film maker Menahem Golan and asked if he would stay in Israel to write and produce an original score for his new motion picture, “A Dangerous Dance”. Humbled by this offer, Michael began writing the rough demos for the movie. The producers and director fell in love with the voice on the rough tracks and soon enough was singing more tracks on the album than not. Michaels knack for vocal impersonations and wide range allowed him to write, produce and sing every track for the film. Currently, Michael is in Tel Aviv finishing the score for Golan’s film, with the first single, “My Champion” about to hit the airwaves.

Michael participated in the “Voices for Israel” project, and though not a ‘religious’ performer, wrote a new Havdallah suite for the Conservative movement. He has participated in many concerts to support Israel Defense Forces and benefits for victims of terror, including those in Sderot and in the bomb shelters during the Second Lebanon War.


Havdallah
Kshe HaLev
So Clearly I Remember
Westport Boy

Stereo Sinai

Posted in Rock, Singer/Songwriter, Women's voices by Administrator on August 8th, 2007

Stereo Sinai is the Good Book like you’ve never heard it before. Miriam Brosseau (songwriter/vocals/guitar) and Alan Jay Sufrin (producer/songwriter/vocals/guitar) had been dating and making their own music for several years before Stereo Sinai came along.

They’d recently moved to Chicago, and the rabbi who welcomed them into the community had just had a son. Wanting to do something special for the rabbi’s family and their new baby, Gideon, Alan and Miriam teamed up to write a lullaby in what would become their unique ancient/modern style.

Stereo Sinai’s “Biblegum Pop” is the flip side of Ray Charles’ pioneering move to put secular words to traditional gospel music. Taking original Hebrew verses from the book of Judges and mixing them with a synthesized pop arrangement, the band’s first single, “Gideon’s Song,” was born.

If Kelly Clarkson and Gnarls Barkley had been on the mountain with Moses, they would have come down sounding a lot like Stereo Sinai. Mixing conservation with innovation, the band is not only working to lend renewed relevance to ancient texts. Stereo Sinai is also committed to acting as a socially responsible and environmentally conscious outfit in every respect.

Both Alan and Miriam are also both Jewish educators and advocates for Israel who can speak to audiences of all ages on a variety of topics in addition to their performances.
Stereo Sinai is already making its mark on the local music scene, being featured at Chicago landmarks the Chicago Cultural Center and the Cubby Bear. The group is looking forward to playing several benefit concerts and other exciting shows in the near future as their album debuts and tour schedule begins to take shape.

Gideon’s Song
Dance
Hitn’aari

Sway Machinery

Posted in Rock, Services, Klezmer, World Fusion by Administrator on August 8th, 2007


Veteran subway-performing Blues singer Jeremiah Lockwood teams up with an all-star cast of NY underground greats (musicians who have graced the records of Tom Waits, Arcade Fire and Antibalas, to name a few) to summon voices from beneath the concrete streets. Calling upon the sounds of Malian guitars, Saharan beats, Afro-pop horns and the B-L-U-E-S, The Sway Machinery goes knocking at the gates of prayer with muscles swollen and eyes clenched.

Son of composer Larry Lockwood and the grandson of the legendary Cantor Jacob Konigsberg, Jeremiah Lockwood began his musical career playing on the streets of Manhattan. He soon struck up a relationship with Piedmont Blues master Carolina Slim, with whom he still performs. Jeremiah and Carolina Slim have appeared together in Avery Fisher Hall, the New School Blues Festival, and have been profiled in The New York Times Magazine and TimeOut NY. Jeremiah has worked for years as the front man for The Sway Machinery, a blues/world beat/Chazzanus ensemble that taking New York by storm

In recent years, Jeremiah has also been appearing with J-Dub recording artists Balkan Beat Box. He is joined by drummer Brian Chase (Yeah Yeah Yeahs) and the horn section of the Antibalas Afrobeat Orchestra to break down all barriers between mythic past and a future rich in the senses. Rejoicing in the season of the lunar New Year and taking the spiritual language of Ashkenazic Jewish cantorial traditions as its point of departure, a new creation will be embarked upon. Hidden Melodies Revealed will combine music, animated film, storytelling and the historically charged space of the Angel Orensanz Foundation towards the goal of shaping a context in which the musical traditions of the season can be absorbed by a modern audience. On this night, rich in feeling and sanctified by memory, ancient lore will blossom forth into an all-out party!

Ahavas Olam
Ivdu et HaShem
I Shall Chant Praises
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Shlomit Levi

Posted in Sephardic, Israel Related, Women's voices by Administrator on August 8th, 2007

Shlomit Levi is a gifted & powerfully voiced singer, blessed with a joyful spirit and dynamic personality. Born in the small town of Keryat Ekron in Israel, Shlomit grew up listening to the traditional folk music of Yemen which is one of her main influences. After touring in Europe with the band Orphaned-Land, Shlomit began to focus on learning the classical Yemenite musical repertoire of her ancestry.

In addition to specific meloldies, Temanim (Yemeni Jews) have a distinct pronunciation of the Hebrew language and a musical trope all their own. To these classic techniques, Shlomit has also added a contemporary twist and western influences. She most recently performed as a featured guest alongside the legendary Boaz Sharabi

At present, Shlomit is working on her debut album and performing across Israel, delivering her intimate songs with powerful melodies & soaring voice. She grew up listening to traditional folk music of Yemen as well as western-modern music. As a result, Shlomit has an eclectic palette, from which she draws inspiration.

Her performance combines ancient Yemenite rhythms & music; original songs influenced by her unique family story, known Israeli music and soul music in English. At present, Shlomit is working on her debut album and performing across Israel, delivering her intimate songs with powerful melodies & soaring voice. Not since the days of Ofra Haza has there been such an enigmatic singer to come out of Israel

Joining Shlomit is Tomer Koren , a talented arranger, guitar, keyboard and bass player who has performed with Simanim, Melechet, Fusion ensemble, Brit Olam, Adama festival, Haifa symphony, Universities and for the Prime Minister’s office. Shlomit is also backed by percussion artist Yatziv Caspi, specializing in Indian Tabla. Yatziv has performed in many ensembles, including Orphaned Land, Amit Varshetzki, Eliel Abecassis, Yuval Ron and Residents of the Future.


Shir HaShirim
Asalk


Sagol59

Posted in Israel Related, Hip Hop by Administrator on August 7th, 2007

Since helping to create the Israeli hip-hop scene with his 2000 debut album, Jerusalem’s Sagol 59 has earned a considerable reputation as an honest, clever, articulate and highly original MC.

His pseudonym goes back to the days of his youth, spent on a Kibbutz. All the kids were assigned a color and number combination; his was purple (sagol) #59. It stuck. Considered an Israeli hip-hop pioneer, Sagol also hosts the monthly Corner Prophets/Old Jeruz Cipher Hip Hop events in Jerusalem, showcasing both established and up-and-coming artists.


Big Ben
Current Affairs
Shoah Business
Silver and Gold
Lech Kadima

(click more for videos and more bio)

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Divahn

Posted in Sephardic, Women's voices by Administrator on April 19th, 2007

El Nora

Anyone who thinks Jewish music equals klezmer needs to hear Divahn’s Middle Eastern and Sephardic grooves. Fans first heard Divahn’s energetic music deep in the heart of Texas. Today, this dynamic New York City-based quintet delights audiences throughout the country and has made numerous live radio appearances. Divahn infuses traditional songs with sophisticated harmonies and arrangements using tabla, cello, rabel, doumbek, violin and other acoustic instruments, plus vocals in Hebrew, Judeo-Spanish, Persian, Arabic, Aramaic and Turkish.
Their beautiful lyricism flows through an intense rhythmic drive. The group distinguishes itself as the only all-female ensemble performing Mizrakhi-influenced music (Jewish music from the Middle East and North Africa) in the US, and has performed with some of the world’s most renowned master musicians, including Glen Velez and Anindo Chatterjee. Divahn, a word common to Hebrew, Persian, and Arabic, means a collection of songs or poetry. Through its music, Divahn seeks to underscore common ground shared between diverse Middle Eastern cultures and religions. The group captures the breadth and diversity of Mizrakhi and Sephardi music throughout the centuries, while simultaneously creating and redefining innovative directions for the music in the present.

El Nora
Ayni Tzofiah
Hamavdeel
Vashti

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Sarah Aroeste Band

Posted in Sephardic, Rock, Women's voices by Administrator on April 12th, 2007

Sarah Aroeste leads the world’s only Ladino Rock band, performing a funky fusion of Spanish, Mediterranean and American musical styles. Inspired by her family’s cultural heritage–orginally from Spain and later settling in Salonika, Greece– the Aroeste sound combines and updates aspects from her unique family background.

Most influenced by the music and language of her Spanish roots, Aroeste grounds her music in Ladino, or castillian Spanish, the language originated by Spanish Jews after their expulsion from Spain in 1492. This medieval form of Spanish was carried by Spanish Jews to the various points where they later settled, primarily along the Mediterranean coast and North Africa. In time, ladino came to absorb bits and pieces of languages all along the Mediterranean coast, including Greek, Turkish, Portuguese, French, Italian and Hebrew.

This exotic pan-Mediterranean language has, unfortunately, been fading away and is hardly spoken anymore. But the musical legacy of Spanish Jews highlights the strength of an oral tradition that spans many centuries and unites a linguistic group. Until WWII the vibrant Spanish Jewish communities, particularly throughout the Mediterranean, had been able to perpetuate a significant Hispanic influence throughout the region. Following the War, Mediterranean Jews emigrated in large numbers to the U.S and Latin America, where their proud communities continue to retain a link, in many ways through music, with their medieval hispanic past.

American born, Aroeste has decided to revive this rich body of music by combining it with more contemporary musical influences. Encouraged by an influx of Latin-based music in America over the past few years, Aroeste hopes to make Sephardic music more recognized and accessible as well. Her family’s original Spanish-Greek name, Aroeste, or “of the West,” truly reflects her style of music by combining traditional Mediterranean sounds with contemporary rock, funk, jazz and blues. Using traditional instruments such as oud and dumbek, alongside electric guitar, bass and drums, Sarah Aroeste seeks to bring new life and energy to the beautiful and mysterious sounds of Sephardic music. Her sets include contemporary takes on traditional Mediterranean ladino songs, as well as original songs written in English, set to Spanish Mediterranean backgrounds.

A La Una
Arvoles
Hija Mia
Puertas

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Ahavat Haaretz

Posted in Israel Related, Singer/Songwriter by Administrator on March 21st, 2007

Hofshi Laad
Ahavat Haaretz is the creation of Roi and Osnat Levy. A founding member of the Israeli supergroup Shotei HaNevuah (The Fools of Prophecy), Roi’s songwriting skills are most evident in this ensemble. Mostly accoustic arrangements set lyrics describing Israeli society from many angles and viewpoints provide the listener with a uniquely current perspective of being Israeli.
Roi won the prestigious “Composer of the Year Award” in 2004 from ACUM, the Israeli version of ASCAP. His compositions for Shotei HaNevuah helped both of the band’s albums reach “platinum.”

Osnat has been studying music her whole life and her abilities as a vocalist and instrumentalist are most evident. This couple is truly a joy to experience as their love for Israel and for each other comes out in all of their performances together. Together with Glenn Tamir, Ahavat Haaretz’s repertoire includes original material, as well as classic Israeli songs that can be led ala ‘Shira b’Tzibur.” Their first CD will be released in 2007 on Hed Artzi Records.
Hofshi Laad
Atta Noshem
Adon Olam

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A Groyse Metsie

Posted in Israel Related, Klezmer, Carlebach, World Fusion by Administrator on February 23rd, 2007

Hey!
From the depths of the Jewish “Nigunim” melodies out of the jewish tradition of kabbalah, “A groyse Metsie” skillfuly combines touching acoustic solo pieces, breakbeat and funky grooves, trip hop ambience and rock and roll power with the soulful fire of klezmer jewish music. A Groyse Metsie brings the new into the old, a group of hyper talented-super diverse musicians who make a point of expressing a highly spiritual message in a very groovy and fun lovin way. Based in Israel, where Klezmer music is rarely appreciated, this band has turned the idea on its head, embracing a traditional form with modern, cross-cultural flourishes.

The twenty-something musicians, all accomplished on the Israeli scene through different projects, have performed with Zehava Ben, Tomer Yosef (Balkan Beat Box), Israel Dub Foundation, and many others. In a society that often wants to put the past behind it, these former Kibbutzniks, religious musicians and Music School graduates come together to play a progressive evolution of a timeless music that instantly connects with Jewish people of all ages, and everyone together to the One.

Hey!
HaShem Melech

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Shlomo Katz

Posted in Israel Related, Singer/Songwriter, Carlebach, Hasidic by Administrator on February 20th, 2007

Biglal Avos

Shlomo Katz was born into a family of musicians that includes his father, master musician and chazzan, Avshalom Katz. Raised in Raanana, Israel, he is a prolific composer of beautiful music, both solo and in collaboration with his brother, Eitan, Yehuda Solomon and Chaim David. The Torah and music of Reb Shlomo Carlebach zt”l has inspired and strengthened Shlomo throughout his young career. He was the lead Baal Tefilah and spiritual guide in the Carlebach Minyan of Beth Jacob of Beverly Hills. He developed an early following at Thursday night classes on Chassidut that averaged 50 students. The highlight of Shlomo’s life was when together with his father Avshalom and brother Eitan, he recorded his first CD: “Eilecha: Avshalom Katz Presents: Shlomo and Eitan” to a resounding success. Since the release of the CD, Shlomo has conducted numerous concert tours including Argentina, Costa Rica, Australia and Belguim. His second CD, entitled “BIGLAL AVOS” sold out its first three pressings. Shlomo has just released his third album, “Vehakohanim” and recently earned smicha from Yeshivat HaMivtar in Efrat under Rosh HaYeshiva, Rav Chaim Brovender. He continues to tour and perform throughout Israel, Europe, Australia and United States. His performances lift the crowd to heights, leaving one moved, inspired, transformed and hungry for more.


Asher Bara
Biglal Avos
Chemdas
Ka Ribon

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Merkavah

Posted in Rock, World Fusion, Hasidic by Administrator on February 20th, 2007


Rising on the jam band scene is Merkavah (a mystical kabbalistic chariot), a project  lending of grooves, improvisation and melodies from the Lubavitch Chabad movement.

A nature loving phish fan, guitarist Yerechmiel Altizio’s musical and spiritual journey got a kick start when he discovered his faith in a national park, setting him on a path that took him from cross country from California to New Orleans, then to Brooklyn, where after an inspiring Birthright Israel trip, he found a home in the Lubavitch community- a gig as guitarist for Hasidic reggae star Matisyahu.With one foot firmly in the post-Phish jam band world and another in Crown Heights, he now performs electrifying extended jams of Chabad niggunim in clubs, festivals and has released its debut album on Sony/JMG.


Al HaNisim
Nigun Simcho

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Beth Schafer

Posted in Rock, Singer/Songwriter, Women's voices by Administrator on February 8th, 2007

Or Chadash

Beth Schafer is an award-winning songwriter whose shows blend first-class musicianship with a little teaching and a little theatre into a high-impact transformative experience. Blazing a trail in American Jewish music for 10 years, she has been a guitarist since the age of 6 and attended the University of Miami School of Music on a jazz scholarship. Her specialty is an attention to the universal themes that not only define Judaism, but many other faiths as well. Beth’s infectious energy, well-crafted songs and intelligent lyrics coupled with a great band has made her a leading act in the Jewish music world. Her audiences are no longer just Jewish, she fans of all faiths who have found that her messages and music touch them. That universality that placed her center-court at an Orlando Magic game half-time show and won her the faith-based competition on American Idol Underground. Comfortable on both acoustic guitars and electric, she has been the “guitarist-in-residence” for the URJ’s national conferences for the past 6 years and is frequently featured at folk festivals. Beth likes making music, loves bringing people together through the power of music, and feels God’s presence when it all works right. She has no intention of forcing any beliefs on anyone, but to those who are searching for something greater than themselves, Beth seems to make a magical connection. She is creating modern-day musical midrash, the contemporary interpretations of ancient texts that help us make sense of humanity.

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RebbeSoul

Posted in Sephardic, Israel Related, World Fusion by Administrator on January 15th, 2007


RebbeSoul performs melodies from throughout the Jewish world, from Sephardic romanceros in Ladino to Lubavitch niggunim to tunes from Ashkenazi nusach. Carlebach melodies and Mizrahi piyyutim collide with a World beat rhythms- its the sound of the Jewish Diaspora coming home. And in after a Rebbesoul show, everyone will go home humming something new!

A rock guitarist and studio session musician, Bruce Burger (RebbeSoul) was inspired by the haunting beauty of a prayer heed heard one night in synagogue. From memory, he reconstructed the melody and lyrics, and so began a spiritual and musical journey that brought him back to his Jewish heritage. That song tapped something inside Burger, who recorded the song and submitted it to local radio stations.

Months later his acoustic rendition of Avinu Malkenu garnered record high listener call-ins when maverick San Francisco station aired it. Now, Burger leads his percussion trio, bringing a new voice to the sometimes-stagnant realm of Jewish music, blending rock sensibilities, world fusion stylings and traditional Hebrew melodies for an ageless yet progressive sound. RebbeSoul mixes Mizrahi chant and electronic beats with the funk/ethnic rock style, layerng balalaika, guitar and mandolin over of a percussion trio using darbouka, djembes, riq and cajon. Having toured Israel repeatedly, he made Aliyah in 2006.

He returns to the US for periodic tours to teaching about Israel and the Jewish people through music that reflects its melodies and those of Jewish Diaspora communities. A Rebbesoul performance is a musical ingathering, mirroring the diverse Israeli society. The sound of the Jewish journey home is at the heart of a RebbeSoul performance.

Kol Dodi
Esa Enai
Shmelke’s Nign
Maoz Tzur

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Paul Brody’s Sadawi

Posted in Jazz, Klezmer, World Fusion by Administrator on January 10th, 2007

For both klezmer and jazz fans Paul Brody’s Sadawi is one of the most exciting new groups in today’s music scene. A healthy mix of traditional klezmer and fantasyful improvisations by some of the best klezmer-jazz muscians out of New York and Berlin.

The sound of the group is unmistakably unique: a bass clarinet jamming with a banjo on a blues hora, a growling Ellingtonish trumpet battling through tribal bulgar beats, a hasidic folk song woven around impressionistic trance beats and prayer loops squeezed though the the sondboard of a guitar. Paul Brody’s Sadiwi is full of suprises for both traditionalist and modernists.


Coming Soon

Sneakas

Posted in Israel Related, Hip Hop by Administrator on January 9th, 2007


Yoni Ben-Yehuda, also known as Sneakas, was born in Tel-Aviv, Israel in 1981. After moving to Manhattan at age 11, Sneakas quickly became involved and fascinated by Hip-Hop culture. Using his extensive musical background, which includes classical training in both bass guitar and drums, Sneakas started writing rhymes and producing his own music. After years of honing his skills in the underground circuit of New York City, Sneakas was signed in 2001 to the production company, Nu Media whose credits include the Notorious B.I.G., LL Cool J, Brian McKnight, Babyface, TLC, The Fugees, Mary J. Blige and Prince. In the summer of 2003, Sneakas began a one-year tour in the Middle East performing in hundreds of clubs, festivals, fundraisers and venues. Since Sneakas return to New York in 2004 he continues to carve a niche for himself in the New York City Hip-Hop scene with performances at B.B Kings, Nuyorican Poets Café, Pussycat Lounge, Bowery Poetry Club, M1-5, The Groove, and The Bitter End.

Not My Single
Middle Eastern Jump-Off
Chain Reaction

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haMakor

Posted in Israel Related, Rock by Administrator on December 6th, 2006

A new music is arising from a band stemming from hilly plains of central Israel. Just as its name indicates haMAKOR (”the source”) is the originator of a unique blend of bluegrass, funk and rock and roll combined with a root like Jewish message. Through the combined voice of this group, soulful, inspiring, and complex music is put forth. Each song is lyrically appealing, and melodically charged, leaving the listener feeling energized and exposed. Messages such as finding your own path, and the trials and tribulations of life, give the onslaught of aggressive resonance meaning. This real life expression met with the sweet melodies of the guitar is what makes haMAKOR a rare experience both in sound, and performance.

Eliyahu HaNavi
Malachim

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Aharit HaYamim

Posted in Israel Related, Reggae, Carlebach, World Fusion, Hasidic by Administrator on December 6th, 2006

Aharit HaYamim is an Israeli reggae, dub and ska sensation whose groove and sensibility is rooted in a Messianic longing and a love of Zion they share with their Rastafarian brethren. With a post-Carlebach Jewish folk flavor, they proclain their love for “Yerushalayim” and “Holy Mount Zion” with tight four-part harmonies, layered over thumping basslines, lush arrangements and extended play instrumentals.

Their brand of world-beat reggae focuses on messiah and redemption, “but it’s a redemption with everybody else; it’s about bringing the nation of Israel together.” Famed perfomer Matisyahu, hearing their music as he walked by a Jerusalem cafe performance, jumped onstage and performed an impropmtu set. Aharit HaYamim (Hebrew for End of Days) is far more than a band “it is a full-fledged grassroots movement” made up of disillusioned children of Oslo looking for an out, post-Carlebach jam band fans, Phisheads and the Haredi/Hippie Hilltop youth.

How does one join this movement? “You don’t need to,” says Leuchter. “Everyone is already a member. Aharit Hayamim is just here to wake you up and spread the message of unity, love and Israel.” Wearing brightly colored, home-sewn, hemp clothing, replete with tzitzit, ritual fringes, Aharit HaYamim delivers a heady musical mix perfect for party people or spiritual seekers. Their hope is that during their concert- these become one in the same as they hasten and celebrate the coming of Moshiach.

Ein Yeosh
Kum Lach Adam
Aharit Hayamim
Areyut Yehuda
Yerushalayim
Lo Lefached
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Esta

Posted in